Patrick Principe. Purchasable with gift card. Sold Out. Geen Nood Bovendien Psychonauten Isabel Veranderd Daar Sta Je Dan Negentien Dag Tot Dag Laat Me Pur don-sense! Whilst many of his local peers tend to turn to sounds further from home for inspiration, Madjid felt. Don drew inspiration from bard-like storytelling and for the first time started writing in his native tongue, craftily forging lyrics that his rich tenor voice delivers with a sincerity that translates regardless of whether or not you understand Dutch.
This intimacy is balanced evenly with synth and drum machine grooves, recalling Dutch New Wave legends Doe Maar - merging ear worm pop hooks and infectious danceable beats to these otherwise pensive ballads.
Tags pop analog pop dutch glam synth pop Amsterdam. Kristof Bolland go to album. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Categories: All Back. Cart 0 Your cart is empty.
Available in Bit CD Quality Unlimited Streaming Listen to this album in high quality now on our apps Start my trial period and start listening to this album. Enjoy this album on Qobuz apps with your subscription Subscribe.
Enjoy this album on Qobuz apps with your subscription Listen on Qobuz. Digital Download Purchase and download this album in a wide variety of formats depending on your needs.
In , when Piet Dekker decided to leave the band, the group came to a crossroads and decided to quit. However, their record company held them to their remaining contract.
Ernst Jansz contacted friend and fellow musician Henny Vrienten lead vocals, bass, guitar to fill out the group for the recording of one last album.
Jansz knew Vrienten from when they had both played on a Boudewijn de Groot the famous Dutch troubadour album, and both had been members of the subsequent touring band. When the tour was over, they had played together in a reggae band. Vrienten declined, and Jansz approached Joost Belinfante , who had never played bass guitar before. However, just before the recording of second album Skunk, the skillful Vrienten replaced Belinfante.
With Vrienten in the fold, Doe Maar suddenly had two great composers. Vrienten immediately contributed three songs to the new record. Still the record company was hesitant to release the record. They had held Doe Maar to their contract, but were now waiting for the right moment to release the new album. During the holiday season the competition was thought to be too strong, and after that came carnival.
Consequently, a release date was set after carnival. Through the marketing department, however, radio stations already got hold of a press copy of Skunk before carnival. Surprised by the quality and originality of the sound, DJs across the Netherlands started playing the album and single "Sinds een Dag of Twee.
DJ Frits Spits solved the problem by renaming the song "32 Jaar. This was a very impressive feat for a Dutch act singing in their native tongue. Doe Maar had realized their first great success. It also reached the first place on the charts, and just like its predecessor, it managed to stay in the charts for more than a year. Lead single "Doris Day" became a radio staple.
Doe Maar also widened their sound palette from ska to reggae. Due to the success, Doe Maar concerts became more and more like Beatles concerts: crowded halls with screaming, fainting young women in front of the stage.
As a result, all group members, especially Jansz and Vrienten , became media personalities. They appeared in gossip magazines, and Doe Maar 's trademark colors, phosphor green and cotton candy pink, were seen everywhere. The band's popularity among teenagers was remarkable, since both Jansz and Vrienten were in their thirties, and the latter even described Doris Day en Andere Stukken as an album "by people in their thirties, for people in their thirties.
In Doe Maar was awarded the Zilveren Harp, a prestigious price for newcomers in the musical scene. A song about cold war fear and the futility of life, "De Bom" was Doe Maar 's ticket to mass fame. In January , van Collum was replaced by Jan Pijnenburg.
0コメント